Abstract
The studies that are concerned with the study of literary discourse are considered among the studies of a modern orientation, which do not view the discourse as being scattered parts, but as an integrated, interconnected and interacting whole, and if the nature of these studies imposes on the researcher to divide the discourse into a series of sections and formats, in order to Exposing the aesthetic influences and the linguistic laws that have combined to produce it synthetically and semantic.
Hence, the study of the rhetoric of literary discourse is the objective and scientific study of its production laws, which have the ability to inform and communicate through the diagnosis of rhetorical and stylistic influences that produce literary discourse.,
To study the rhetoric of the discourse of artistic prose forms, represented by speeches, letters, wills, dialogues, signatures, and sayings, it is necessary to deal with some of the sciences that establish the rhetoric of the discourse inherent in the fields of Statement and creative, as well as some stylistic measures that are consistent with the nature of these rhetorical elements, given that the semantic axis and we mean by it the ability of the text to generate of latent meanings, whether what is understood from the sentence or what is understood from the text, will be present in the entirety of our diagnosis of the elements of these two rhetorical axes, through examination and inspection of prose discourse forms resulting from the combination of a series of rhetorical, stylistic and semantic elements and mechanisms.
