Abstract
The search for krotsk featuresin the theater in terms of confirmation of funny and sarcastic as an antique energy of the krotsk strange , in terms of adopting criticism crusacks for chaos in the life of individuals and society. The search included fourth chapter. The first chapter guarantees the systematic frame work for research in terms of the problem determined in question,features of krotsk in the theatrical text? and the separation of the importance of research is highlighted in the features of the krotsk in the theatrical text(The play of rubbish models),also chapter included time limits from 1900-1995 and the possibility and concluded the search defining terms. The second chapter ensures theoretical framework and included two parts ,The first interest in the historical inspection of the krotsk ,Then the entrance of the conceptual interest in the study of the krotsk and the pattern and the compromise, then the second search came for the features of krotsk in the global theatrical text ,The selection of texts is reflected in crevice and divers krotsk, The chapter concluded with indicators that resulted in theoretical framework. The third chapter included the search procedures, which included his community and his appointment, it was include play of rubbish which was chosen to fit his aim . The fourth chapter included the result ,It is the adoption of krotisk contradiction to photographs of life contradictions ,In addition to the shapes and krotsky models multiple forms contributed to the cards ,each of the symbol ,insinuation and double the theatrical elements and employed by the writer to express a reality of ugly and maeginalized freedom. The semester included a number of conclusions ,recommendations ,proposals and the list of sources and concluded.
