Abstract

The linguists exaggerated in studying the metaphor that it considers the most important subject among other figurative types of Arabic language. The metaphor opens up different horizons of expression in front of writers so that they have many tools to write about one experience. It starts with the imagination to draw the logical as noticeable, the noticeable as audible and the audible as noticeable. All of these are inspiration factors the writer exploits in conveying the experience and passion into the reader. So, all the senses take part in realizing that image provided by the creative writer.
When we study the Arabic rhetoric, we find that we have to clarify the hidden phenomena that compatible with the rhetoric development of the creative works standard which intends to show the correlation between reality and metaphor.